There are many reasons for how we pick our cameras: sensor resolution, max ISO, image quality, max. shutter speed, handling, weight, and so on. The list is probably just as long as the number of different models available today. Some reasoning is rational, some pure emotion. I have shot with pretty much any manufacturer over the years, and to what it comes down for me, is how the camera feels, when I use it. I believe that no camera is able to replace creativity and an artist’s vision, no matter how spec’d out it is. You can create amazing images with your iPhone, or any other camera for that matter, so for me, it has always been about the experience: the camera needs to become a natural extension of my creative vision.
Shooting with the Pentax 645Z Medium Format Camera
That said, there are many cameras that can do that, but none of them offers the resolution and pixel sharpness I get from my 645Z. I shot with Hasselblad, I shot with PhaseOne, and the handling on the 645Z is very close to a DSLR, which cannot be said for any model made by the other medium format guys. Autofocus is quick, and works well. 3fps is nothing to call home about when compared to a DSLR, but then again, this is not your average DSLR. For a medium format camera, 3FPS is very impressive, and it allows me to have a workflow similar to what I would have with a full frame DSLR.
The 645Z is not perfect. There are a bunch of things I wish they would have done differently, but there is hope. RICOH has been very responsive to feedback, and I believe that they are genuinely interested in turning the medium format market upside-down. The 645z is an almost perfect start, and with the exciting things happening around the 645 system now and in the future, for me, this is the system I can trust and enjoy working with. Your opinion and workflow may be different, and that’s OK. The 645Z is not for everyone, and it doesn’t pretend to be. But if you know its strength, this is definitely the most powerful medium format tool out there today. And yes, tethering is right around the corner
It’s no secret, I love my Broncolor Move 1200L packs.
I love them so much, that I take them with me almost everwhere I go. They became part of my shotkit, and Broncolor does a good job providing a backpack/trolley when you get on eof their kits. It looks pretty good next to my other bag I often use, and I can attest that the backpack is working (although you may not necessarily want to haul this around on a hike, as the pack with two heads is heavy).
Gotta love the broncolor move 1200L
What I noticed though is that when you use the backpack as a trolley to bring the move packs and heads on set, they are quite bulky and not sturdy enough at all for a tough on-location life. What I mean is that they take up space in your car or truck in a less than most efficient way, while only providing little protection against rough handling. This issue becomes worse when you are forced, as I was recently, to check this backpack and hope it’ll all survice the lovely and careful handling by TSA and airport employees. One of my kits had an umbrella and softbox inside, and both were bent somewhat after the flight. The backpacks are also rather bulky to store. They don’t really fit into my shelves, and they take up quite some space on the ground. I am sure you movepack owners out there have experienced this as well. For me, there was only one solution: get rid of the backpacks (repurpose them), and create my own custom carry cases.
So when I started out with my design, I wanted to make sure that these cases can be locked, that they are air- and watertight, that they have solid and durable wheels, that they come in bright colors (much easier to spot on the conveyor belt), that they look unsuspicious from the outside, and that they can carry at least two move 1200L packs at any given time. While I initially wanted these cases to be carry-on’s, I soon abandoned this idea, because available cases were simply not able to caryy two packs and a few accessories reliably. I also wanted to focus on portability and versatility on the shoots that are more local to me, so I ended up settling for the smallest size possible (which is no longer a carry-on). Next up was to decide on how many packs I want to be able to fit into these cases, and whether I wanted to include the heads as well. I decided against putting the heads into the same case. Here’s why: I figured that I could design a case that would house 8 heads, or simply use an off-the-shelf case to keep lamp heads together. Getting heads into the same case with the packs would just have made it much heavier, and also much bigger. So this is what I ended up with:
move pack custom case
This is the smallest case I could find that was able to accomodate two Broncolor move 1200L packs, as well as some accessories. After thinking about it for a while, I also decided against adding room for spare batteries. I only twice ran out of battery power on a location shoot, and whenever I shoot near an outlet, I can always use the broncolor power adapter to charge the batteries while I am using the packs. It is that the 1200L packs are just so powerful, and I get so many flashes out of them, that it is unlikleyu that I will run out of power, even with only one battery per pack. The cutout of the foam looks like this:
move pack custom case
As you can see, the case allows to securely and safely carrry two broncolor move 1200L packs, as well as up to four RFS2.1 trasmitters. Although not designed for it, the cut outs will also fit some pocket wizards if that’s your poison. I prefer RFS 2.1, because it allows me to control the modeling linghts, as well as the output on each channel for several packs. This comes in handy if one or more of your lights are in remote or difficult to access locations, or simply if you work on your own, or with a lazy assistant As you can see, the packs fit nicely into the custom case:
move 1200L case
What I wanted to make sure when I designed the case is that the move packs would’nt move around when you toss the case, or even have to ship it somewhere. As you can see below, the packs slightly extend through the top of the base foam, which provides just enough pressure on them with the lid closed.
move pack custom case
That said, I love that new case. It provides a safe and secure way for shipping and carrying two move packs to almost anywhere. Next up? A case for four packs, my lampheads, and one to hold a para88 & para133 at the same time. Want one of these for yourself? Message me, and I can hook you up!
As you can see, the packs fit nicely into the custom case:
